This is the third video in my summer series, “An Elizabethan Afternoon”: Thomas Campion’s “I care not for these ladies”. (CW: The author compares women based on how “easy” versus “high maintenance” they are.)
Here is the second Elizabethan Afternoon video: “The Binding of Isaac”.
I have challenged myself for this summer to return to my focus on Elizabethan music, and put together a short “concert” of my favorite lute pieces. This is the first song from that collection, “Come again, sweet love”. I really like the outdoor setting, though it creates its own challenges, and the audio is re-recorded separately. Enjoy.
I promised in a previous post that I would share a detailed explanation for how to place subtitles or lyrics directly on a video using a powerful piece of free software, VLC Media Player. This is the easiest and best way to do it that I’ve seen, and the approach I used for “The Zoom Where It Happens”.
Here are the steps:
The motto of an SCA artisan is basically: “Show your work and share your work”. With the release of “The Zoom Where It Happens”, it has turned out that editing a complex video is part of my skill set. And since the upcoming First Bardic War is going to include editing of group videos as a key judging metric for a number of War Points, I thought I would discuss my process for creating this video, as an editing novice.
Here are the different technical components used to create this video:
This weekend, I posted a new video of a brand-new filk, which tells the true story of the origins of The First Bardic War. “The Zoom Where It Happens” is, of course, based on “The Room Where It Happens” from Lin-Manuel Miranda’s Hamilton. This one, as you can see, involved a ton of collaboration from some incredibly talented bards (and a few very generous royals), and I will post more about that experience in the coming week. (The song page has copious annotations for serious geeks and Hamilfans.)
Enjoy (and I’d be very grateful if you subscribed to my YouTube channel while you’re there):
Tonight and tomorrow, lovers of spoken word, particularly of epic sagas, can enjoy a live, two-part performance of Beowulf on the East Kingdom’s YouTube channel. This is my first time participating in a live group performance event of this kind. (I have long wanted to, and generally scheduling conflicts and other priorities held sway. I’ll embrace the silver linings of our quarantine year as best I can.)
I’m incredibly excited to be part of an all-star lineup of phenomenal performers from around the Known World, including my teachers, Toki (who’s also directing) and Peregrine, as well as my former Laurel Zsof, my co-champion Grim, his Majesty Tindal of the East, and too many bardic friends to count.
Per the press release:
On November 14 and 15, Beowulf the Ethereal Event will present all of Beowulf, performed live on Zoom. Beowulf the Ethereal Event will feature the talents of 50 performers from 8 kingdoms: East, AEthelmearc, Atlantia, Ealdormere, Meridies, Midrealm, Northshield, and West. The performance being produced by artistic team from Beowulf the Event (East Kingdom, 2011), Beowulf the Roadshow (Pennsic 2011 & 2012), and Njal’s Saga (AEthelmearc, 2017). Beowulf the Ethereal Event will be livestreamed to the East Kingdom’s YouTube channel.
The entire epic will be split into two performances: Saturday night, Nov 14, starting at 7:30 pm; and Sunday afternoon, Nov 15, at 2 pm.
The poem tells the story of the hero Beowulf, who rescues the Danes by killing the monstrous Grendel. He goes on to kill Grendel’s mother, become king, and then—in his old age—must face a dragon. Throughout, he learns lessons about kingship, feud, and the dangers inherent in fighting monsterThe performance will be presented with the natural, organic backgrounds of our homes—bookshelves, workshops, home offices, kitchens, and living rooms. We will tell the story without stage magic, but instead will use the available medium to bring Beowulf into the homes of the audience. While the exact age of Beowulf is not known, the anonymously written poem is the earliest work of full-scale English literature. Beowulf consists of 3,182 lines of poetry. It takes three and a half hours to perform it in its entirety.
Contact Information: Toki Skáldagörvir: firstname.lastname@example.org
This is the latest in a series of fantastic live performances by the SCA’s performance community, which have recently included live streams of Henry V (gender-swapped) and Hamlet. This is not an easy time for anyone, but it’s a fascinating time for medievalist performers. Perhaps I’ll see you there.
Happy Halloween, Samhain, or whatever gets you through the fall. My incredibly talented bard friend Elaisse de Garrigues of Calontir (one of the winners of last weekend’s online Winter Nights event), accepted my invitation to throw a little trick and treat together with Dave on guitar…
…And she delivered. Check it out.
I’ve shared this elsewhere, but not here. (It’s under the wire, right?)
The Interkingdom Bardic Showcase is a long standing tradition held at Pennsic. It provides an opportunity for our kingdoms to come together and celebrate the performing arts. (Note: per tradition, the lineup of performers is pre-selected in consultation with the wishes of the SCA’s kingdom royals.)
This will be a YouTube livestream event (link here).
Join us for this year’s online Post-Pennsic showcase, featuring notable and rising performers representing various Kingdoms of the Known World:
Today was my last day as Queen’s Bard for Margarita De’ Siena. She is now sitting vigil as a new Lady of the Rose, and her magnificent heirs, Magnus Tindal and Alberic von Rostock, have been crowned Consuls of the East.
As the Known World rings with praise for Margarita’s incredible and unprecedented reign, I have put together my tribute. It’s my first new piece since I became Royal Bard, and I’m grateful to my muse, my wife Jessa, my teacher Peregrine, and my right-hand guitarist Dave Lambert, for all helping bring this to life in less than a week (the full draft finally took form last Sunday).
There is a song page with lyrics and the like. Some time soon I will add back story on the creative process that went into this (it’s been brewing since the start of the reign). For now, though, I have words and feelings, and I share them with you.
Drake, Consort’s Bard of the East