#SCAatHome: Shine, Child

I checked in with her Majesty Margarita today, and asked if she had a request for the #SCAatHome series (lots of people are using videos to connect, and it’s been truly inspiring). She requested “Shine, Child” (the first piece I ever performed for her the afternoon we met), and I’m honored to fulfill it here.

SCA Performer Social Mondays

Come join your fellow performers (and other interested Scadians) for some social connection and chat while we weather our extended period of isolation. (The more the merrier – Meets have a capacity of up to 250.) Spontaneous performances might happen on occasion, but this is not a bardic circle. It is a chance to connect with people we aren’t getting to see at events.

Join Google Meet
meet.google.com/ijn-iirx-zhj
Or
Join by phone
+1 432-698-1600‬ PIN: ‪462 126 096#
To view more phone numbers, click this link: https://tel.meet/ijn-iirx-zhj?hs=5

Q&C Bardic Finals: Hold the Door Open

At last, we conclude our discussion of researching, preparing for, and entering a kingdom-level bardic competition, if you’re still interested in it (after the analyses of Round 1 and Round 2). For the final round, I debuted the original song “Hold the Door Open”. I researched the Arthurian legends of Thomas Malory, and wove together five characters to convey messages about modern diversity and inclusion. I chose to use my skills in modern composition to convey the emotions of the words.

Final Round performance from Q&C Bardic Championship.
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First look: “Hold the Door Open”

The family is at PAX East in Boston for the weekend (Spencer’s birthday present). I plan to do the deep breakdown of last weekend’s final round of competition when we get home Sunday. But in the meantime, I don’t want to keep this new piece, “Hold the Door Open”, under wraps anymore. The video (and the correct lyrics, which aren’t exactly what I sang) are available to the public.

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Q&C Bardic Round 2: Ode to Birka (My love hath vowed, Part 2)

We continue our review of kingdom-level competition prep (from yesterday’s Round 1 analysis). On to Round 2, and how I arrived at “Ode to Birka” as my performance piece. (Note: I am categorizing this as an A&S Journey entry, because the focus of this round ended up being contrafacts of Thomas Campion pieces examined in this series. Before I found the right one, “My love hath vowed”, I made attempts with “Now winter nights enlarge” and “I care not for these ladies”, which will be detailed below.)

Round 2 performance from Q&C Bardic Championship.
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Q&C Bardic Round 1 (Clear or Cloudy Part 5: Performance)

As promised, it is time to break down this year’s Queen & Crown’s Bardic Championship as I prepared for and experienced it. I’m going to do one post for each round–not because this was the year I was selected, but because the work that went into each round dovetails with the A&S Journey posts I have been making since last June. We will start with the first round, where I presented John Dowland’s “Clear or cloudy”.

Round 1 performance from Q&C Bardic Championship.

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Queen’s Bard of the East

img_0548A quest has been completed. Saturday was the East Kingdom Queen and Crown’s Bardic Championship, in the Shire of Caer Adamant (Wilmington DE). Her Majesty Margarita ultimately selected me to be the new Queen’s Champion of Bardic for the next year. My friend Grim the Skald, a returning champion, was chosen as Crown’s Bard.

I will be posting my usual post-game analysis in the next few days, and videos of performances from the three rounds. But for now, I want to just let it sink in, and offer gratitude to some of the many people who made this day unforgettable:

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