And 5 weeks later…another new class! This one is titled “Developing Stage Presence as a Bard”, and I remembered to get a recording of it! This was a lively class with lots of interaction, which I really enjoyed.
Author: Drake Oranwood
Drake Oranwood (Eric Schrager) is a singer, songwriter, producer, lutenist, and medieval enthusiast who brings modern sensibilities to original songs set long ago and far away.
Hi all! I had the chance to teach my first new class in a long time: “The Pleasures & Perils of Making Filk”. I had a lot of fun, and it was well-attended. Eventually, I’ll have to see what I can do about teaching it again and getting that recorded, but in the meantime, feel free to check out the class notes.
Saturday, Jess and I attended the Yule event for the Baronies of Bergental and Beyond the Mountain. It was a lovely chance to get to see people one last time before we pack it in on SCA events for the winter (and the corresponding COVID surge, which of course is already on the rise). We were primarily there so I could deliver a commission:
On Saturday, my family and I attended our first SCA event since the summer: Hundred Minutes War (and EK Novice Day), a fighting event sponsored by our local Shire of Rusted Woodlands. It was a fuller “family” contingent than usual: both of my teachers, Peregrine and Toki, joined us (the three of us have never been in the same place at the same time the whole while that we have been formally working together), as well as some of our Caer Cinniuint family, including the illustrious Rowan de la Garnison (who, along with her fellow matriarch Meirwen uerch Owein, had recently invited me officially to join my wife’s household).
It turned out they, along with some other dear friends, were there for a reason beyond the glorious late-fall day of fighting, or the several vigils and elevations that were scheduled. During court, their Majesties Ioannes and Honig called forth the Order of the Maunche. His Majesty Ioannes explained to the assembled populace that the Order was in fact short its full complement as he wandered into the aisle, and stopped in front of me with a mischievous grin.
For context, this is the highest Arts & Sciences award the East Kingdom offers short of a Peerage.
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The Ravager of Rhapsody (Bjorn’s Retreat)
Last weekend was Bjorn’s Retreat, my first in-person event since the pandemic began last year (and the kingdom’s first except for Crown Tourney last month). While we were all masked even outdoors (thank you, your Majesties, for your laudable caution and concern for the health of the populace), it was still delightful to be at an event with my family, and get to see so many old friends in the flesh.
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Summer Project: Video #3
This is the third video in my summer series, “An Elizabethan Afternoon”: Thomas Campion’s “I care not for these ladies”. (CW: The author compares women based on how “easy” versus “high maintenance” they are.)
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Summer Project: Video #2
Here is the second Elizabethan Afternoon video: “The Binding of Isaac”.
I have challenged myself for this summer to return to my focus on Elizabethan music, and put together a short “concert” of my favorite lute pieces. This is the first song from that collection, “Come again, sweet love”. I really like the outdoor setting, though it creates its own challenges, and the audio is re-recorded separately. Enjoy.
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The Use of “I” Statements
This is a quick post to address, once and hopefully for all, an issue of writing choices, so that I can just reference it when necessary going forward, instead of having to repeat it.
There are certain contexts in which people are encouraged to use “I” statements instead of “you” or “we” statements. One example is couples therapy, where each member of a couple is invited to talk about their own needs rather than the expectations they place on the other member. Another is in some group support environments, where a speaker is invited to take ownership of their own experiences and wants, rather than hiding behind an imagined group (“I deserve better” instead of “we deserve better”), or an imagined hypothetical person (“and then I get upset” instead of “and then you get upset”).
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The First Bardic War Has Ended
Yesterday, the First Bardic War, a nine-day, round-the-world, online event, came to a conclusion. This was an event done for the first time ever, with only three and a half months to plan, by a relative skeleton crew, in the middle of a global pandemic. It’s as close as I’ve ever seen to an unqualified triumph.
The 35 War Points were awarded between the three alliances as follows: East/Atlantia 19, Middle 13, West 3. Let me say here what I said multiple times before and throughout the event: this was basically summer camp Color Wars, and the “winners” and the “points” never really mattered. I believe firmly that no one who was on a growth path toward any level of recognition or responsibility will be held up on that path because their side did not win any given War Point.
Let me also admit here: the joy and pride I took as a general, watching our five-kingdom alliance fight their way to victory in the First Bardic War, was simply indescribable. I will do my best to savor it without being insufferable. (I think I got most of it out of my system during the online post-revel.)
Drake Oranwood 