It occurred to me yesterday that if I’m starting the marathon that is a new album, I should finally research a new microphone. I’ve had my Behringer B-1 for years, and it is a solid, well-respected mic that gets the job done. But I’ve long been trying to figure out why I so often have trouble with sibilants when I record my singing, and other artifacts on high frequencies that require frequent use of De-Esser plugins to avoid egg-frying hissing and ringing, and some research I did after recording “We Are the East” suggested the microphone was the most likely culprit.
It’s time to get started. I’m assembling concept tracks for four of my newer songs, and reaching out to musicians to begin coordinating. I’m targeting a release for next year, but we’ll see how things go. More updates as this project unfolds.
I had promised I would share a version of “Concordian Soil” that would be a little easier to sing–sorry it’s a little late. This version cuts the very top notes off the chorus, and should sound fine. It only reduces the range of the song a little, but that is a rather problematic high note that was written for my voice (and pushes me if I’m not warmed up). Please feel free to move the song into whatever key works best for the voice or voices available. (I’ve added the alternate notes to the downloadable sheet music as well.)
Hi everyone! We just got home from Pennsic yesterday, and to my surprise, as we began packing out, I felt a song coming on, and I went with it. So, as my way of thanking all of you for being part of my SCA experience, I’m breaking all my normal “rules” and sharing it with you right now. This is a quick a Capella vocal cut of the song, and it captures my experience of Pennsic this year, which involved my stretching a bit and doing more things that weren’t necessarily Bardic. (No, I still didn’t actually drink, but since the vast majority of adults I hung out with did, it’s still an indelible part of my experience of the War.)
I will set up a standard song page for this later (along with the other new songs I brought to the war, and class notes, and video from the concert–I promise I’ll get to it). But for now…enjoy! Continue reading
Sorry the posting is still so sporadic. Some updates:
- East Kingdom 50 Year was lovely–what I got to experience of it. As it happens, 30 minutes after I finished my Friday concert with Donal Artur and Bird (which was a blast), I was rushed to the ER for pain that turned out to be a kidney stone. By the next morning, it was clear that managing my discomfort was going to be difficult at the event, so we packed up and left early. I hated to miss the rest of it. (And yes, the stone passed a couple of days ago.)
- Efenwealt Wystle has put the bardic sampler CD together for this Pennsic, and I’m excited to have my music and Juliana’s on it. Some major names on this thing, I feel very privileged.
- I’ve put together Facebook events for my concert and my classes for this war. I will be posting my two new songs when I get back.
- Rehearsals for The Mystery of Edwin Drood are eating up my evenings, as expected, but a promise is a promise, and I’m having a ton of fun.
Today was delightful, as I worked with Bird (that’s Juliana Bird with a Spanish J), recording tracks for “Tir Righ Rise” by Juliana la Badele (with an English J).
Bird is (unsurprisingly if you know her) my new go-to recording musician for brass, woodwinds, and harmonies. She is right: French horn is best horn.
Producing is so much fun, I don’t know how it’s legal.