Checking in. After last K&Q Bardic, I made my traditional long in-depth post, and at the end, I made a number of pledges about actions I planned to take. I wanted to share that I have made progress on several of these: Continue reading
Today was delightful, as I worked with Bird (that’s Juliana Bird with a Spanish J), recording tracks for “Tir Righ Rise” by Juliana la Badele (with an English J).
Bird is (unsurprisingly if you know her) my new go-to recording musician for brass, woodwinds, and harmonies. She is right: French horn is best horn.
Producing is so much fun, I don’t know how it’s legal.
Working day as producer/sound engineer for my friend Juliana la Badele’s (aka Jazzy McIntosh) recording. Need to get things in order so that we can record Bird the Bard’s horns and pipes against Juliana’s vocals, uke and harp. (Guitar, drums, and backing vocals forthcoming.)
Very psyched. Stay tuned for more details.
It’s Saturday morning, and Rosalind and I are up to no good. #luteselfie
So…I went rather quiet for the past month. (Had to find a new day job, couldn’t be helped. Happily, it didn’t take long, but it required some focus.) Now it’s time to get ready for Pennsic, and as Jessa and I race to do that, I wanted to take a moment and reflect on Sing for the East in a little more depth.
My Laurel, Mistress Zsof, has invited me to do more in-depth blogs about what I am learning as I continue to explore bardic. I realize that the sorts of entries she is talking about are usually more A&S focused (meaning, on period and period-inspired works, like “I asked of thee a boon”). At the moment, though, my most recent project was an album, and my entry on that collection was an original kingdom anthem. I learned a great deal putting the track for “We Are the East” together, and applied a number of lessons I learned about music recording and production from my solo album Hidden Gold.
Yesterday, I had eight performers at my secret basement lair, Studio Oranwood, to record vocal tracks for Sing for the East. (From left: Mistress Dorigen of the Grey Gate, Drake, Mistress Judith Fitzhenry the Uncertain, Master Arden of Icomb, Mistress Linette de Gallardon, Lord Jayme Hume of Berwyk, Lord Martyn de Halliwell, Cedar-San Barefoot, and Mistress Sabine de Kerbriant.)
No, there’s no picture. When I record myself these days, I do it alone. Mostly because logistically it’s so much easier. But I have finished recording the lead vocals and the guitar intro and outro for “We Are the East”, for the Sing for the East album.
This will be my first time I get to have an instrumental credit on one of my recordings. Or any recording, for that matter. How did Red Riding Hood put it in Into the Woods? Oh, right. “Excited and scared…”