I closed out the online concert with a performance of my newest song, and one of my most ambitious, “Hold the Door Open”. In this performance, I basically got all the lyrics right, so it’s worth sharing. Stay safe. #SCAatHome
Today’s #SCAatHome video asks the question: how does a royal reign to secure a lasting legacy? To make sure “The Name of the King” endures?
Stay safe. Drake
Today’s #SCAatHome video is a cautionary tale about the importance of social distancing. Watch (and be safe)…
Today’s #SCAatHome song is my tribute to the bardic community, “Plant Your Feet”. The bards of the Society are a talented and hardy breed. Do we serve two masters? Sometimes. Hey, it’s fun.
Enjoy, and stay safe.
I have been asked to perform as part of the “Beyond the Corona” Virtual Filk Sing for the HELIOsphere Fantasy, Sci-Fi, and Anime convention (which, like so much else, will not be happening in person this year). I’ll be performing on Sunday, April 5, from 4-5 pm EDT (Facebook event here). It will be an hour of my bardic / filk / Elizabethan mix, with maybe one or two pre-Bardic pieces to round out the set. The concert is free, and open to all who wish to attend.
Here is the Zoom link for the concert (available on virtually all computers and mobile devices):
I hope you can join me.
I checked in with her Majesty Margarita today, and asked if she had a request for the #SCAatHome series (lots of people are using videos to connect, and it’s been truly inspiring). She requested “Shine, Child” (the first piece I ever performed for her the afternoon we met), and I’m honored to fulfill it here.
Come join your fellow performers (and other interested Scadians) for some social connection and chat while we weather our extended period of isolation. (The more the merrier – Meets have a capacity of up to 250.) Spontaneous performances might happen on occasion, but this is not a bardic circle. It is a chance to connect with people we aren’t getting to see at events.
At last, we conclude our discussion of researching, preparing for, and entering a kingdom-level bardic competition, if you’re still interested in it (after the analyses of Round 1 and Round 2). For the final round, I debuted the original song “Hold the Door Open”. I researched the Arthurian legends of Thomas Malory, and wove together five characters to convey messages about modern diversity and inclusion. I chose to use my skills in modern composition to convey the emotions of the words.
The family is at PAX East in Boston for the weekend (Spencer’s birthday present). I plan to do the deep breakdown of last weekend’s final round of competition when we get home Sunday. But in the meantime, I don’t want to keep this new piece, “Hold the Door Open”, under wraps anymore. The video (and the correct lyrics, which aren’t exactly what I sang) are available to the public.
We continue our review of kingdom-level competition prep (from yesterday’s Round 1 analysis). On to Round 2, and how I arrived at “Ode to Birka” as my performance piece. (Note: I am categorizing this as an A&S Journey entry, because the focus of this round ended up being contrafacts of Thomas Campion pieces examined in this series. Before I found the right one, “My love hath vowed”, I made attempts with “Now winter nights enlarge” and “I care not for these ladies”, which will be detailed below.)